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AJA at IBC 2025
AJA Video Systems at IBC 2025 – New Product Launches
We’ve just returned from IBC Amsterdam, and as your trusted reseller and workflow partner, we were thrilled to see AJA unveil a slate of products that feel tailor-made for the hybrid, IP + baseband world we’re all heading into. I want to walk you through exactly what we saw, what it means in real setups, and how it strengthens the value of choosing AJA gear through Altered Images.
What AJA showed (and what really stood out)
At IBC, AJA’s press kit clearly centered on three new products plus a software upgrade: IP25-R, UDC-4K, BRIDGE LIVE 12G-4, and a new version (v17.6) of their desktop software.
Here’s how each of those plays:
IP25-R
This is a compact mini-converter that takes SMPTE ST 2110 (IP) signals and de-encapsulates them to 12G-SDI and HDMI. In effect, it becomes a bridge between pure IP infrastructures and legacy SDI/HDMI gear. It supports dual 10/25 GbE, ST 2022-7 redundancy, and low-latency operation up to 4Kp60.UDC-4K
This is a versatile up/down/cross converter + frame sync box. It handles 12G-SDI ↔ HDMI 2.0, does frame-rate conversion, scaling, HDR metadata pass, and includes a color LCD interface for quick configuration. It’s designed to make life easier on mixed workflows (e.g. when you have camera sources, routing, monitors, and displays all using different formats).BRIDGE LIVE 12G-4
This is a heavier-duty encode/decode/transcode/streaming solution targeted at UltraHD and multi-channel IP workflows. It packs 4 bidirectional 12G-SDI ports and supports many codecs/protocols (H.264, H.265, NDI, SRT, RTMP, HLS, JPEG 2000, etc.). It’s ideal for remote production, hybrid encoding, multi-channel contribution, etc.Desktop Software v17.6 (for KONA IP25)
Beyond the hardware, AJA upgraded their software for their KONA IP25 I/O card. Version 17.6 adds things like Video + Key playback enhancements, support for 12-bit 4:4:4 4K, and support for multiple audio streams, improving how it integrates into demanding production and compositing setups.
During demos, I saw AJA engineers pushing these devices hard — especially the IP25-R bridging and the BRIDGE LIVE 12G-4’s transcoding engine. The interface was responsive, latency was tight, and switching between IP/baseband was seamless. The confidence in their hardware is visible: everything felt designed for real use, not just lab specs.
Why this matters
We’re in a transitional period. Broadcasters, studios, OB fleets, houses of worship, and corporate productions are increasingly mixing IP systems (SMPTE 2110/2022) with existing SDI/HDMI gear. For those setups, the pain point is always how to bridge without introducing delay, artifacts, or complex control headaches. The new AJA line solves a lot of those.
For our customers, here’s how the new devices deliver real benefits:
Future-proofing mixed environments
IP25-R helps you slide into IP infrastructure without ripping out all your SDI/HDMI gear. It gives a safe, clean interface — so investments in existing baseband gear remain useful.Simplified scaling and conversion
UDC-4K handles many of the “glue” tasks we used to build with multiple boxes (scaling, frame sync, HDR metadata). It reduces signal chain complexity, lowers points of failure, and simplifies cabling.High-density streaming & production
BRIDGE LIVE 12G-4 gives you the power to handle multiple UHD channels in one unit. For live events, remote productions, hybrid streaming, that’s big. You get flexibility (encode, decode, transcode) plus robust connectivity in compact form.Better software integration for pipelines
The KONA IP25 software update is a big win when combining boards, GPUs, effects, compositing and monitoring. The richer format and audio support make integration smoother, especially for creative houses and post workflows.
When you buy through Altered Images, we can make sure your system is correctly specified — matching fiber/bandwidth, management-plane control, routing, and redundancy. It’s not just selling a converter — it’s enabling a stable, hybrid IP+SDI/HDMI workflow.